Alpaca Sessions #3 19:00 - 20:30 BST (UTC+1), Sunday 11th April 2021

Join us for the third and final session in this wonderful run of live coding events curated by Alex McLean for our 2021 residency. This series has been incredible to work on over lockdown, a huge thank you to all the artists, our team at Hope Works & No Bounds and Arts Council England for making it possible for us. Session 3 presents an all female cast of live coding explorative performance from around the globe. We present....
Paola Torres Núñez del Prado has been exploring the boundaries between
audio and the visual, human voice, the sounds of nature (water, wind)
and those whose listening is often considered less harmonious, such as
machine sounds, noise or digitally generated sounds.
She begins by exploring the limits of the senses to end up exposing
cultural clashes, examining the concepts of interpretation,
translation and misrepresentation, finally questioning the
construction of historical hegemony, especially in relation to the
history of technology and the arts.
http://www.singingtextiles.com

IrisS is a Buenos Aires creative coder, mainly working with sound. She
has performed as live coder in many art festivals, cultural centers,
enterprises, art galleries and universities in Argentina and remotely,
mainly using the TidalCycles live coding system for audio and Hydra
for video. She currently collaborates with TOPLAP, the global live
coding community.
https://iriss.netlify.app/
https://instagram.com/1ri5.5
Malitzin Cortés (CNDSD)'s work is developed between live coding, live
cinema, virtual reality, creative coding, sound design and
experimental music. She is a teacher and researcher at CENTRO
University and at the UNAM Faculty of Arts, including in new sound and
immersive technologies. CNDSD's sound proposal is conceived in
granular landscapes, algorithmic vocal experiments, hypnotic noise
improvisations, live coding and asymmetric patterns. As an artist, she
investigates the ways in which art, architecture, technology, and
science have the capacity to disseminate findings and devices for
self-reflection and generation of unpublished models of social
interactions, capable of providing new ways of relating from the
utopia, speculation, physical space, reality, the constant state of
crisis and also hope.
http://malitzincortes.net/
https://vimeo.com/cndsd

Alexandra Cardenas is a composer, programmer, and improviser of music
born in Bogotá, Colombia. She studied composition at the Universidad
de Los Andes where she also carried studies in mathematics and
classical guitar. Using open source software like SuperCollider and
TidalCycles, her work is focused on the exploration of the musicality
of code and the algorithmic behavior of music. Alexandra is among the
pioneers of live coding in electroacoustic music and at the forefront
of the Algorave scene. Currently, she lives in Berlin, Germany, having
completed a masters in Sound Studies at the Berlin University of the
Arts.
https://cargocollective.com/tiemposdelruido

This will stream live over Facebook Via Hope Works/No Bounds and also the No Bounds YouTube and Eulerroom!
Links
No Bounds Festival YouTube
https://www.youtube.com/c/NoBoundsFestival
Facebook Home
http://bit.ly/HWFBHOME
more